After Amelia's dinner party takes an unexpected turn, her guests leave abruptly but her other "selves" join for dessert. They confront Amelia, tired of her dramas and eager for her to end it. Amelia can no longer ignore her inner voices, she is forced to face/dine with them.

An english tv-team discovers a special white flower in the indonesian rainforest, but they never get to investegate it further, before the danish recluse Severin has shot them down. A danish special enforcement with a psychiatrist in front is sent off, and they find out, that Severin claims, that he is 129 years old, and it's the flower, which keeps him young. Soon all hunts the white flower, which apparently gives eternal life.

An english tv-team discovers a special white flower in the indonesian rainforest, but they never get to investegate it further, before the danish recluse Severin has shot them down. A danish special enforcement with a psychiatrist in front is sent off, and they find out, that Severin claims, that he is 129 years old, and it's the flower, which keeps him young. Soon all hunts the white flower, which apparently gives eternal life.

A photographer comes face to face with forces that threaten her road to redemption.

Javiera and Antonio are a young couple with two daughters and another on the way. But beneath the superficial tranquillity of their marriage hides a passionate relationship between Antonio and his wife's sister, Antonieta. The love triangle begins to lose its delicate balance when Antonieta loses her purse. A mysterious voice on the telephone extorts the lovers, moving them to take unusual actions and to confront one another with blame and doubt, ultimately forcing them to explore the true value of their relationship.

DELUXE TWO-DISC EDITION 　　AVANT-GARDE 3 EXPERIMENTAL CINEMA 1922-1954 　　CAVALCANTI MAAS PETERSON BROUGHTON BUTE KESSLER WHITNEY KIRSANOFF MURPHY MARC'O WATSON HUFF 　　From THE Collection of THE GEORGE EASTMAN HOUSE AND FROM THE RAYMOND ROHAUER COLLECTION 　　From the little theaters of the 1920s to the ad hoc film societies of the '50s, avant-garde cinema knew no established form and held no predictable position. The boundaries of its history are still hotly debated, but its rough sensibilities informed and permeated the city symphonies of Alberto Cavalcanti, the visual music of Mary Ellen Bute and John Whitney, the classroom films of Sidney Peterson, the confessional film poems of Willard Maas and John E. Schmitz, the Lettrist cinema of Marc'O, and even marginal exploitation films and home movies. Drawn from the rich collections of Raymond Rohauer and the George Eastman House, Kino's third volume of experimental films continues to illuminate the degree to which cinema's evolution has been influenced by those filmmakers who occupy its periphery.

DELUXE TWO-DISC EDITION 　　AVANT-GARDE 3 EXPERIMENTAL CINEMA 1922-1954 　　CAVALCANTI MAAS PETERSON BROUGHTON BUTE KESSLER WHITNEY KIRSANOFF MURPHY MARC'O WATSON HUFF 　　From THE Collection of THE GEORGE EASTMAN HOUSE AND FROM THE RAYMOND ROHAUER COLLECTION 　　From the little theaters of the 1920s to the ad hoc film societies of the '50s, avant-garde cinema knew no established form and held no predictable position. The boundaries of its history are still hotly debated, but its rough sensibilities informed and permeated the city symphonies of Alberto Cavalcanti, the visual music of Mary Ellen Bute and John Whitney, the classroom films of Sidney Peterson, the confessional film poems of Willard Maas and John E. Schmitz, the Lettrist cinema of Marc'O, and even marginal exploitation films and home movies. Drawn from the rich collections of Raymond Rohauer and the George Eastman House, Kino's third volume of experimental films continues to illuminate the degree to which cinema's evolution has been influenced by those filmmakers who occupy its periphery.

A mysterious man sits in the booth at the end who people make a deal with to get what they want. They do the task or they don't - that is up to them, but there are no rule changes.

A post-traumatic stress disorder patient bound to his bed finds himself sharing his room with a gang looking for a paralyzed amnesia patient. And he must kill him off before he is recognized.

A new drug promises out-of-body experiences, but users are coming back changed forever, and an otherworldly invasion of Earth is underway.